PRE - ORDER, Shipping early December 2025.
Kominek and Lúa Ribeira present a limited edition of five books, conceived as extensions of the reflective space surrounding Agony in the Garden.
Each volume revisits the constellation of materials that informed the project—reference images, sketches, notes, and visual studies—offering insight into the intersection between intuition and research, image and thought, gesture and form.
Together, the books propose a dialogue between process and image, inviting viewers to look beyond the finished photograph toward the intricate act of its making. Each of the five copies features a unique cover—an altered fragment drawn from Ribeira’s original references—transforming every book into a singular object within the evolving landscape of her work.
5 different covers, each edition of 1
001 Cutout from FX make up
002 Unknown source
003 Still from the film Aguirre, Werner Herzog, 1972
004 Instagram story of Solidary Wheels NGO
005 Agony in the Garden, Andrea Mantegna, 1431
_____________________________________
Dalpine, 2025
Photographs: Lúa Ribeira
Design: Tipode Office
Pre-press: Bread & Butter Studio
Offset printing by Artes Gráficas Palermo
64 pages
28 x 37cm
Hardcover with tipped-in image
With the collaboration of FujifilmStandard edition
Agony in the Garden is a series by Lúa Ribeira created in the peripheries of Madrid, Málaga, Granada and Almería. Inspired by the potential of contemporary counter-culture, she has collaborated with young people to make images that reflect on the alienation and uncertainty of the present era, resulting in a landscape suspended in time, one that appears both contemporary and ancient.
The sequence takes us through a barren, almost videogame-like landscape, where we encounter people who emerge as characters of an environment that is both local and global. The clothing, gestures and signs show affinities with and influence from online worlds and personas, echoing the extremes of hedonism and nihilism, all of which plays out in the backdrop of a rapidly homogenising world.
From this dystopian and sometimes absurd atmosphere, Agony in the Garden reflects on the current phenomenon of material overproduction, widespread precariousness, institutional violence, and ongoing financial, migratory and environmental crises. This visceral feeling of uncertainty permeates throughout the work, whilst Ribeira’s inclusion of religious motifs and imagery nods towards more universal themes
and a suspension of temporality. Underpinning all of this is a sense of tragedy and rootlessness, countered only by the energetic vibrancy of the youthful bodies that parade through the photographs.
Brought together in this book following extensive research and collaboration with her models, Agony in the Garden grapples with photography’s weighted disposition to ‘represent’ reality and create testimonials, leaning instead towards a more allegorical view of the contemporary moment.
Stemming from her own heritage as a Galician, Lúa Ribeira’s work deals with dynamics of oppression and the mechanisms of exclusion implied by dominant culture. Her practice is characterised by its collaborative nature, extensive research and an immersive approach to her subject matter. She is interested in using the photographic medium as a means to create encounters that establish relationships and question the structural separations between people and communities.
Ribeira (As Pontes, Galicia, 1986) is currently a full member of Magnum Photos based in Bristol, UK. She graduated in Documentary Photography from the University of South Wales in 2016 and since then she has continued her engagement in education running workshops and as a guest lecturer at various universities. She has received the Firecracker Grant for Women in Photography and the Jerwood/Photoworks awards in 2018. She was nominated for the Foam Paul Huf award and Prix Pictet 2019. Her work has been published in book form by Fishbar, London, in 2017, and has been featured in the publication Firecrackers: Female Photography Now published by Thames and Hudson as well as Raw View Magazine, “Women Looking at Women”. Her work has been exhibited internationally in both solo and group shows in venues including ICP (NY), Impressions Gallery (Bradford), Ffotogallery (Cardiff), Belfast Exposed, Beijing International Biennale, Tabacalera (Madrid), Fundación Seoane (A Coruña), Kutxa Fundazioa (San Sebastián) amongst others. Currently her work is part of the touring group show Close Enough: New Perspectives from 12 Women Photographers of Magnum curated by Charlotte Cotton.